Publications

  • Spatialities: The Geographies of Art & Architecture (Intellect Press, 2012)

  • Exploring Site-Specific Art: Issues of Space and Internationalism (I. B Tauris, 2010)

  • Issues in Curating, Contemporary Art & Performance (Intellect Press, 2008)

  • Advances in Art and Urban Futures: Recoveries and Reclamations (Intellect Books, 2002).

  • ‘The Barbican: living in an airport without the fear of departure’ in J. Rugg and C. Martin (eds), Spatialities: The Geographies of Art & Architecture

  • ‘Fear and Flowers in Anya Gallaccio’s Keep off the Grass, Glaschu and Repens’ in Fiona Becket and Terry Gifford, eds., Culture, Creativity and Environment: New Environmental Criticism (Rodopi Press, 2007)

  • ‘Maternal Loss, Transitional Space and the Uncanny in Alison Marchant’s Kingsland Road, London East’ in Textile Journal of Cloth and Culture (Vol. 3, issue 2, Summer 2005)

  • ‘Sophie Calle’s Appointment at the Freud Museum: Intervention of Irony?’ in New Practices, New Pedagogies , Malcolm Miles, ed. (Routledge, 2005)

  • A Place in the Sun? Repression and Desire in Andalucia’ in Soundings Journal of Politics and Culture, 28, Winter 2004

  • Class, Gender, Invisibility and the Autograph: Alison Marchant’s Oppositional Encounters with Space’ in Cultures and Settlements, M. Miles and M. Roberts, eds., (Intellect Books, 2003)

  • ‘Utopia from Dystopia: The Women’s Playhouse Trust and the Wapping Project’ in J. Rugg and D. Hinchcliffe, eds. (2002), op cit.

  • ‘Budapest’s Statue Park: Memorial or Counter-Monument?’ in Soundings Journal of Politics and Culture, 17, Spring 2001

  • ‘Regeneration or Reparation? Loss, Death and Absence in Anya Gallaccio’s Forest Floor and Intensities and Surfaces’, in Sarah Bennett and John Butler, eds., Locality, Regeneration and Diver[c]ities (Intellect Books, 2001)

Refereed conference contributions include:

  • ‘An Arcades Project: Grenville, Davies and Market Row: Reflections on Brixton Market’, Beacon Arts Project, 2011

  • ‘Disorder from the Edge: spaces inside and outside the boundaries of anxiety’, New Perspectives, Inspirational Approaches, Dundee Centre for Contemporary Art, 2010

  • Invited panel member, ‘Mapping the Future: Public Art in Scotland’, 2010

  • ‘Migrations of “Placeness” in Layla Curtis’s Newcastlegateshead’, University of Adelaide, 2009

  • The Barbican: living in an airport without the fear of departure’, European Network of Housing Research Annual Conference, Dublin, 2008

  • ‘Correspondences, territory, location and site-specific art’, Moving Cultures, Shifting Identities; Flinders University, Adelaide, 2007

  • ‘Psychoanalysis, Cultural Hegemony and the Authentic: processes of [dis]placement in Susan Hiller’s At the Freud Museum’, Lost in Space: Topographies, Geographies, Ecologies; Stour Valley Arts, 2006

  • ‘Interiority and Psychic Space in Anya Gallaccio’s Couverture’, Mediated Pleasures in (Post) Feminist Contexts; University of the West of England, Bristol, 2004

  •  ‘The Women’s Playhouse Trust and the Wapping Project Now’, The Philosophy of Architecture, the Architecture of Philosophy, University of Leeds, 2004

  • ‘Clean and Dirty: The Subsuming and Redemption of the Viewing Space’, Inclusivity, Public Art and Design, University of Lisbon, 2002

  •  ‘Memorial as Counter-monument’ at Public Representation and Private Mourning: Commemoration and Memorial, University of the West of England, Bristol, 2002